Angela Moss, Hartley’s Retail Assistant
I have known Angela for many years, as she has worked in fashion retail for some time. However, I never knew her story. I didn’t know about her genuine passion for clothes, and family history in dress-making. It’s fantastic to be able to photograph her style and to find out a little more about the women behind the clothes….
“I have always loved fashion, and you could say that it is in our family. We were tobacco farmers from the Motueka Valley, but my parents were a little unusual for the local culture in that they loved the arts, and encouraged the same in us. My mother and my grandmother were very skilled dressmakers. I had the most amazing outfits, beautifully coordinated and expertly made. My mother always dressed impeccably, and had the most incredible outfits. I regret that we didn’t keep some of them! Being involved in fashion retail was quite natural for me I suppose you could say. I do love clothes very much, and what I am wearing today, from Hartley’s is very me, very easy to wear. Beautiful”
Angela wears top by Layered ($220) and skirt by Verge ($230) both from Hartleys at Morrison Square.
The event that spurred this reaction from Maria in the cover shot gave us both the giggles. Shoots always involve good chats and laughter with Maria. And stories too, this week stories about a rough Los Angeles neighbourhood that has a great market, and from which Maria sourced her track-suit….
“We just got back from the States and the scale of what they have over there, second hand, is mind-blowing. Street-wear from the 1980s and 1990s is trending big over there at the moment. It’s not really my cup of tea, but my boys like that sort of stuff. This track suit was from one my ‘secret’ spots in LA, a pretty rough place where you really just don’t feel so safe. Lots of stolen goods being hawked and that sort of thing. But the place is amazing! I don’t go there so much to buy for the shop, but I go there for myself. No, the tracksuit isn’t any kind of a label, but yes it is very 1980s. I do like a certain 80’s style which I incorporate from time to time into my everyday look. I am a matchy matchy kind of a girl, so this tracksuit is very me”.
When I went through the images to choose for this post, I was struck by the oddity of my boots. I must admit that I don’t think they were a top choice, stylistically speaking. Black boots or even some Docs or brogues probably would have kept the critics happier. But here’s the deal – I don’t always dress for the pursuit of some sort of styled perfection. Sometimes I choose things because they make me feel a certain way. And I needed those boots last Friday.
This look revolves around the dress. It’s an authentic 1990s dress, in a maxi style that’s being re-hashed right now in main-stream fashion. I love the rich rust colour and the bold black dots, and most of all I love the maxi length with floaty pleats.
While black might have been a first choice for accessories, I went for caramel tones. I think this adds colour depth and texture in a way that black can’t. The bag and belt blend so well, and tie in perfectly with the tortoise-shell sunglasses.
Black tights, a black watch and my old faithful black sleeveless coat-dress (with large circular eyelets) keep the black spots connected. I chose to work with the graphic spots by selecting earrings that repeated the form. I liked that they were white – I never like to be too ‘matchy-matchy’, although the gold tones beautifully with the coppery detail of my belt buckle and bag details. In the same vein, my heavy studded off-white boots were a bit of a contrast, chosen based on how I wanted to feel that day. Strong and powerful, inspite of my floaty and feminine dress, and a little bit rebellious too.
My dress was an exciting treasure that I found at the Richmond Salvation Army Op-shop, quite recently. My bag was also a second-hand find, although I bought it from Nostalgia in Nelson, some years ago now. Both my Karen Walker glasses and Wynn Hamlyn coat were investment pieces bought on Layby from Palm. My jewellery is a mixture of old and new, charity shop and chainstore, with statement earrings by my talented older sister Marita Green (similar ones are available from Craig Potton Gallery).
A workmate ‘set us up’, so to speak. She thought Leone and I would get along fantastically, and saw in Leone someone with a unique point of view on personal style and fashion. She was right (thanks Pauline!) …..
“I love fashion because it is a form of expression. I have always been obsessed with clothes, and opshopping since I was a wee grasshopper with my Mum and Dad. Of course the cost is a factor. You get a thrill when you find something amazing for next to nothing! Fashion has given me confidence to be me, and really not give a rats about what others think. I dress for me. Yes, I think being different is important and probably always has been. When I was a teen, I always found it funny how on mufti-day most people were wearing a uniform of what was ‘in fashion’. I was quiet I suppose, but never afraid to wear what I wanted to. I know that intrigued some people. I have often been noticed for my unique style. Now I don’t care so much about any of that, I just dress the way I do because it’s me”.
Laura and I met at our kids’ gymnastics class and, among other things, discovered a shared love of fashion and creativity. She is an example of someone who has an authentic sense of her own style, and an independent and confident fashion sense…
“I think that the only real constant in my approach to style is colour. And change! Change is important to me. I like newness and get bored quite easily with my clothes. I am constantly looking for something different and interesting, and I am always giving clothes away to my friends when I no longer enjoy wearing them. That’s why I don’t really take an ‘investment buy’ approach to my wardrobe, as that longevity just isn’t there. I like to make things too. And one of the reasons I enjoy making clothes for myself is to get that newness and to create bright fun pieces that I can’t buy ready-made. I also have sizing and fit issues, being quite short, and so making my own things enables me to design for my body shape. No this outfit is not something I made, the top is by Augustine. Maybe next time?”
Who knew that a cotton linen crocheted nightie from the 1930s could look something magnificent with an Officer’s uniform blazer for the merchant navy? Well, I think it does. It’s a great example of juxtaposition in fashion. Wearing opposites, contrasts of the more extreme. It’s also an example of an outfit that appeals to me on more than one level. I love the mannish blazer, masculine, strong and assertive. And the detail in the nightie is exceptional. Someone spent many hours lovingly labouring away to make it, stitch by stitch. It is a small work of art, feminine, soft and gentle. Beautiful.
It’s not an original idea – a linen smock over a black slip and opaques. It hints at Victorian school-girl, or of a maid-servant uniform in a period movie. But it’s a look that has always appealed to me.
In this case, the linen-cotton smock is in fact a vintage night gown, and the blazer is an authentic merchant navy blazer. The black and white contrast emphasises the juxtaposition of the masculine and feminine elements, soft and hard, strong and gentle, dominant and submissive.
Given the strength of the gold buttons and Officer’s stripes, gold jewellery was the natural choice in accessories. The white stone in the ring and watch face repeats the white of the nightie, helping to bring the whole outfit together.
The Merchant Navy blazer is a piece I discovered at Richmond Antiques and Curios. It is a man’s blazer, but as I have a very boyish frame, it happens to fit me perfectly. Coincidently, my nightie was also purchased from the same place (which is ‘my local’ vintage shop in Richmond), although on a separate occasion. My watch pendant is a favourite piece and also a vintage find, purchased from Eclectic, and the small white-stone ring was a very recent find from Trade Aid in Nelson. The second ring is a piece I purchased from Shine, along with my ever-faithful black leather lace-ups by Elk. Like my shoes, my sunglasses are ‘ever faithfuls’, investment buy sunnies from Matthews Eyewear.
Shelby English, Jay-Jay’s shopper
I love it that Morrison Styles is bringing diversity and character to Silk Purse, Oily Rag. This week I talked with Shelby, whose street style look this week was all about Jay-Jays. It’s great to meet a young person with a strong sense of who she is and how she wants to dress…
“We moved to Nelson from Australia where I was born to be closer to family. My grandmother has not been well. I really do love it here, compared with where we were. The weather, the location, it’s just so much better. I do miss some things about living there though. They have some amazing huge malls and outlet malls that we just don’t have here. At least not big ones like that here Nelson. But the shopping is okay, and I am lucky that my Mum shops at Jay-Jays Morrison Square! I like to borrow a few of her things and sometimes she gets things for me. My own style is quite simple, like black and white mostly and jeans and tee-shirts. Mum encouraged me to have a go at being photographed in my street style.”
Shelby wears sunglasses ($15), polkadot jumpsuit ($44.99), faux leather biker jacket ($69.99) all from Jay-Jays at Morrison Square. Her shoes are Vans ($120), available from Amazon Surf Skate Demon also at Morrison Square.
Great style is, in part, a function of taking a considered approach to how you spend your money. I like Annabelle’s philosophy, a blend of old and new and careful spending on the things that matter…
“Money has always affected my style, I suppose you could say. I mean, I’ve never had a lot to spend on clothes, but style has always been important to me. I guess that’s why I have always been an op-shopper. But when I do spend more, it will be on something really important to me, like quality leather boots. And this coat, which is from Kilt and replaced an old one that had long past it’s use-buy. This hat was a more expensive piece too. But it is something I plan to have and love and wear for a very long time, so the money is well spent. The pin on my lapel is more of a fun piece, from Madam Fancy Pants in Wellington. But again, it’s something I love and I think that it has a timeless appeal. I think it adds…. something, interest I suppose, to the coat and my look”.
I remember everything about the moment I found, tried on and bought this silk dressing gown. Yes, the blue and white floral piece I am wearing is a dressing gown. It’s special because it’s the only thing I am ever likely to own by Christian Dior. It’s pure silk, and I loved it the moment I put it on in the St John’s Ambulance charity shop on Rutherford Street. I am not sure what the lovely elderly lady thought of me and my excitement for it. It’s the most expensive thing I have ever bought from an op-shop. I left $65 dollars poorer but with a huge twinkle in my eye and swagger in my stride. It’s treasure hunting at its best.
Needless to say, this look is all about the dressing gown. But, because of that, it needed some serious grounding so as not to look too ‘boudoir’.
The sleeveless wool coat was the perfect complement and anchor to the gown. It’s the kind of coat that you can keep on indoors, so partially covering the dressing-gown-ness of the main piece. The black lace on the gown sleeves and pockets connected the two pieces well, giving the look strong coherence. I wore a vintage lace slip underneath the gown to ensure I would be covered at all times! My black boots and leather bag kept the look grounded and strong.
I tried on a few large white ‘statement’ earrings before settling on the large silver flowers. While white would have been a great way to repeat the colour of flowers in the gown, the silver was more subtle. I like the way the silver flowers look so similar to the flowers in the fabric. A simple silver pendant completed the look.
My coat is a highly loved and treasure piece I’ve worn to death this winter, by New Zealand designer Wynn Hamlyn from Palm. Although it extended me considerably in the financial sense, it’s been worth every cent. As mentioned, my Christian Dior dressing gown was bought from the St Johns Ambulance charity store in Nelson. I cannot recall the shop that I found them in, but my earrings were a $2 charity shop find. My vintage lace slip was also a charity shop find. I recall that I bought the Karen Walker pendant when I found out I was pregnant with my daughter Harriet. I’ve had my boots ‘forever’ and they were from Country Road. My bag is by Status Anxiety, another item I’ve thrashed, and was from Trouble & Fox.
This week Kellie and I talked about identity, and how changing your hair can affect how you feel about yourself. We also talked about self-esteem and the importance of feeling good to having a great sense of style…
“Yes, since I changed my hair, I have felt less confident about my style. I used to have a 1950s rockabilly thing going on, and I would wear my frocks with my hair up in a bun or long and loose. This cut has thrown me a bit. I think it’s just taking a bit of getting used to, and I wasn’t really expecting to feel different about my style because of it! Also, the winter can affect me a bit and how I feel about myself. If I feel “fat”, though it might not be true, I lose my mojo a bit for my sense of style. As I am getting older, that body stuff doesn’t affect me as much as it used to, but the internal dialog reappears”